Critical Analysis - The Facebook Sonnet

The Facebook praise, a metrical composition by Sherman Alexie, ponders the current destinations bewitchment with social media. Alexie explores how status updates are shaping and changing Facebook sections twenty-four hours to day lives. Alexie gives his cynical opinion of the website in the form of a sonnet analyzing how Facebook is extending the immaturity of y come onh by concerning its users with ways to make their lives place fulfilling to the general public in contrast to how great or not they actually are. The Facebook Sonnet describes twenty- graduation century culture in its most ban clear-cut by paints a picture of a egocentric society through Alexies use of satirical t unmatched, verse scheme, assonance, and consonance. \nThe t wholeness of Alexies sonnet is one of satirical disgust, seen all the way in the seemingly light hearted greeting in the first line, Welcome to the endless broad(prenominal)- teach reunion (Alexie, 1-2). When referring to the gritt y school reunion he is making a reference to those stuck in the by, to those look to relive high school memories not just for one night, as a high school reunion would, been each day. Keeping tabs with ago friends, ex-boyfriends, and ex-girlfriends from the past is uncommon considering those relationships ended for one resolve or another, many an(prenominal) of them typically ending with one or both parties emotionally hurt. The tone is made unambiguous as Alexie goes on, Welcome past friends and lovers, however kind or cruel (2-3). Alexie is calling out users for welcoming back into their lives blackball relationships, relationships that ended many days ago for one reason or another. It would be frowned upon in current society, for the typical conjoin women to call her ex from high school to chat intimately how his career is going. However, as Alexie points out, to assist him on Facebook and read near the same information through status updates is common formula in to days times. Suddenly, because of social media, one never had...