Student s nameProfessor s nameClass nameDate assignment is dueVisual Argument of Art : Making the unseeyn VisibleFamous comfort station plant life of modern and post modern multiplication are most a great deal argued as just an contrivance or have deeper meanings . I do believe than in an workmanrywork lies a deeper meaning , mostly of those which do non often see in unrivaled creative person . Infact , Berger in Ways of Seeing often challenge ways of whole t wizard at art and other images that ignore the status of flora of art as commodities . He completely re-shifts the readers understanding of art . It is near art philosophy , plainly much much than than that , how we understand the nature of art , and how it relates to our cultures and societies . We not only jockey in a capitalistic society , however one in which virtually all its inhabitants are consumers . Consumers purchase commodities . Berger wants to pick up the consciousness of viewers of these paintings that they are not merely masterpieces but commodities . Or in the case of oil painting , opthalmic representations of commoditiesOne painting of Andrew W to that degreeh entitled Christina s World describe exactly the unperceivable which is made manifest through his artwork . spirit at the painting , you ll get the imprint of sadness when first off seeing and knowing the story behind how this painting came about and I identicald it simply because it is an honest painting . This painting lives the jot of nostalgic lonelinessIt reminds me a bit of the painting made by James Whistler Harmony in Blue and fluent . The painting is set on a countryside levyland on wakeful skied autumn day . in that location are no indubitable trees and the field is covered with what looks bid drying grass . there is a visible division on the grasses that tells where it! has been grazed or not .
A frail looking girl , Christina , erosion a pale pink dress , is sitting about sprawled in the grass veneer the vast field . We intelligent sum see that she seems to be gazing at an experient gethouse from afar . An rare barn stands not far from the farm house and what looks like remnants of old picket posts can be seen near the farm house . However , if we see Christina in the painting as an un able youth , looking her house from afar , righteousness is , she was already 55 years old , and had an undiagnosed hefty deterioration which paralyzes half of her body . Christina is already crip pled , yet the painter attaches Christina s thin frail hand to the body of his 30 year old wife , which he used as his model in this painting (The Olsen House , 2004As Wyeth had painted Christina cladding backward , showing her very thin hands and legs as she crawled her way towards the house or merely looking at her world from a distance , it doesn t show her true emotions whether she is content , sad , crying or struggling . Upon analyzing the colors , the artist used the dull and weak types of palettes . There is no visible bright , strong...If you want to get a full essay, ascertain it on our website: OrderCustomPaper.com
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